When we enter and bow before the scroll, we are not bowing to the scroll itself. We are bowing to the person and the spirit of the person who wrote it. We look at the writing, which may not be the most readable, nor the most classical of script, but embodies the person who wrote it at the time they wrote it. Observe the darkness or lightness of the ink, the wetness or dryness of the brushstrokes. Are the strokes bold or delicate? Do they convey movement or stability? All of these things and more can be observed by just looking at the calligraphy. And of course you can admire it as a work of art.
The scroll hung at Hatsugama this year was written by Eido Shimano Roshi of Daibosatsu.
It reads: Haku un onozukara kyoraisu
White clouds come and go of their own accord, or White clouds of themselves come and go
Like all Zen phrases, it may have many and deep meanings, so as a host, it would be good not only to read it when the first guest asks you to, but also to talk a little bit of what it may mean to you. For example,
"White clouds come and go by themselves may mean that we cannot stop nature from doing what it wants, and in my life, trying to control everything is not productive, we have to let the white clouds come and go of their own accord."
In the gomei discussions, (also this post) I suggested that Zen phrases are good places to look for gomei. "White clouds" or "come and go" can be used for gomei, and then you can recite the phrase from which the gomei is taken.
There is also a companion phrase to go with this one: Seizan moto fudoo
The English translation may be:
Blue mountains by nature are immoveable, or blue mountains are steadfast
So if you hang the scroll haku un onozukara kyoraisu, a very good gomei for the chashaku may be "seizan" blue mountains from the companion phrase, and then you can look like a sophisticated scholar.
As a reward for those of you who have read all the way to the bottom of this long post, I have a bonus for you. Not all scrolls you may purchase on eBay have a scroll box. To protect your scroll from damage and also to show some reverence for the spirit of the person who wrote it, here is a project plan for making a a scroll box of cardboard. You can make it any size to fit your scroll perfectly. Then you can come and go as you please.
Thank you, though i am not in the possession of a scroll yet, this plan will come in handy when i will find me in the situation of a scroll and no box.
ReplyDelete>> All of these things and more can be observed by just looking at the calligraphy.
Do you have somewhere written/read what i can deduce from bold strikes, dark ink and fast movements (bet to have missed more observations) from the scroll above ?
Localtimes,
DeleteThank you for your comment. With a little imagination, you can tell the writer of this scroll was healthy and vigorous. The fluid style and quick brush strokes tell me that he was also confident in his writing. What else can you see in this writing?.
Hi Margie,
ReplyDeleteI see the bright and clean lines as confident brush stroke where every doubt in the writing can be seen, and the fast strokes more as young and inexperienced where (small) mistakes can be more easily concealed. Maybe it's of my inexperience, I just started practicing and have to write all characters beautiful, readable and clean.
Wim
Localtimes,
DeleteThank you for your comment. Roshi is a VERY experienced calligrapher in the prime of his life. I, too am a beginner with calligraphy only having studied for about 7 years!